Adam Bailey
Video Editor | Colorist | GFX Artist | Post Supervisor
Documentary style editing
I Got Myself A Yard | Feature
Editor | Colorist | Sound Artist | Animator | Director
Determined to escape his painful past, Dr. Jermaine Johnson embarks on a transformative odyssey, across countries and cultural barriers, through professional basketball and into the halls of political power in the documentary, “I Got Myself A Yard”
The Daytripper | PBS Show
Editor | Colorist | Writer
Chet Garner explore Texas one day at a time. From the well known landmarks to the completely obscure dives and hideaways, but all within a day's reach.
Adam edited 3 episodes, starting with the Daytripper's journey across Karnes County.
The Flood | Short
Editor | Sound Artist | Colorist
This is the story of Joyce, a Silver Dollar City Employee whose house was destroyed in the Bull Creek of Flood of 2017, and how her fellow employees united to help her rebuild what was lost.
The Flood is part of a series of short documentaries made for Herschend Family Entertainment.
Republic of the Rio Grande | Feature
Post Production Supervisor | Additional Editing
In the Rio Grande Valley, women lead a movement to defend their rights and protect their home from exploitation—all with the untapped power of the young Hispanic vote.
Coming Fall 2025
About
Adam is a jack of all trades video professional with over a decade of experience across all facets of production and post-production.
For the past four years, he's lead a small production company to develop compelling documentary and narrative projects from concept to completion including writing, producing, and all aspects of post-production. He coached other employees through developing creative projects and managed the editorial team for Republic of the Rio Grande, an on-going documentary with over 300 hours of footage.
His greatest achievement as an editor has been completing the feature documentary project, I Got Myself A Yard, which premieres in Columbia and Charleston, South Carolina mid-November 2024. He edited the 90-minute feature, as well as animated over 30 minutes of material.
For the seven years prior to founding his company, he was a post-production swiss-army knife using his technical, inter-personal, and storytelling skills to create narrative, B2B, and social media ad videos for big Austin companies like the advertising giant GSD&M, comedy and gaming company Rooster Teeth, the El Rey Network, and more.